Tricia Stiller

Tricia Stiller

Tricia Stiller/review: Be prepared to blush at 'Vibrator Play'

It was not a surprise to see a capacity crowd at the opening performance of Sarah Ruhl's "In the Next Room, or The Vibrator Play." After all, Ruhl, a Tony Award nominee, is widely regarded as one of the most important voices in contemporary theater today. But let's be honest, it was the sex that filled the seats.

Tricia Stiller/review: Star sublime in Station's one-person 'Title and Deed'

"A single actor." "A bare stage." "No intermission." "Great." These were the words, dripping in sarcasm, that were uttered near me while waiting for the start of Will Eno's "Title and Deed" at its opening performance Thursday night.

I smiled internally, for I knew something that person clearly did not — that single actor was David Barkley.

Tricia Stiller/review: 'Bleacher Bums' actors hit it out of the park

Full disclosure: I'm a Cubs fan. Until last season, when the Curse of the Billy Goat was finally lifted and the Cubs became World Series champs, our family mantra was "We'll get 'em next year."

Tricia Stiller/Review: Production addresses relevant issues

As social justice and political activism return to the forefront of our nation's latest growth spurt, the Celebration Company at the Station Theatre in Urbana flexes its creative muscle to expand our thinking with its current offering, "Sleep Deprivation Chamber" by Adam P. Kennedy and his mother, award-winning playwright Adrienne Kennedy.

Review: Parkland's 'Kazam!' big on nostalgia

In celebration of Parkland College's arrival at the half-century milestone, faculty member Kerry Bean has penned a pun-filled, baby boomer homage to superheroes, dastardly deeds and espionage with his musical murder mystery melodrama, "Kazam! Intrepid Inspector Ingrid of Interpol and the Crimson-Caped Killer Caper." Whew — say that 10 times fast!

Review: Production lets audience get in on the act

Winter's arrival brings with it a kaleidoscope of emotions that, for many, are not always a celebration of dancing sugar plums. One's social media status, when it comes to the season, might read: "It's complicated."

Illustrating this truth exquisitely is the current production at the Station Theatre in Urbana, "Every Brilliant Thing" by Duncan Macmillan and Jonny Donahoe.

Tricia Stiller/Review: 'Minotaur' gets a contemporary reboot

The fantastic, theatrical realm of Greek mythology is full of tales worthy of new exploration. The complex narratives that inspire more questions than answers are the key components in the artistic process.

How fitting to see "The Minotaur" get a contemporary reboot, courtesy of the lyrical pen of playwright Anna Ziegler.

Review: 'The Night Alive' has powerhouse performances

Playwright/poet Conor McPherson has a knack for exposing humanness in his writings; from the sort of highs to the abysmal lows, mankind's glorious imperfections are celebrated, and I can think of no better venue for this type of theatrical experience than the intimate black box of wonder known as the Celebration Company at the Station Theatre.

'Discord' sure to spark conversation

In his 1944 play “No Exit,” French existentialist Jean-Paul Sartre observed that “Hell is other people.” Clearly, contemporary playwright Scott Carter agrees and sets forth to illustrate the point in his awkwardly named yet brilliant exploration, “The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord.” The Celebration Company production is currently playing at