Azoff Billboard

Irving Azoff, Danville native, on the cover of a 2012 issue of Billboard magazine, where he topped a list of music's 100 most powerful people.

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Now featured at our Gies College of Business-sponsored ‘UI at 150 & Beyond’ website: 1960s Illinois undergrad and 2003 Danville High Wall of Famer IRVING AZOFF, who we learned Wednesday is four months away from another impressive induction — into the Rock and Roll Hall of Fame.

Here’s Editor Jeff D’Alessio, with 20 things you ought to know about the music mogul and proud Vermilion County native.


As he rose through the entertainment ranks — CEO of Ticketmaster, CEO of Live Nation, manager and agent to the stars — he never forgot where he came from: Danville, IL 61832.

“To this day,” he told us awhile back, “I credit my Illinois upbringing with giving me my work ethic and street sense. All who experience downstate Illinois upbringing are a fortunate lot.”


Azoff checked out of the UI before finishing his studies but does hold an Illinois degree — an honorary doctorate in music, awarded in 2003.


A favorite UI memory: the summer of 1968, when a certain album with a catchy title track debuted.

“I still remember when ‘Hey Jude’ was released,” Azoff says. “I went to buy the album the day it came out at that little record store upstairs on Green Street.

“I had walked over from our little blue-jean bell-bottom retail store next to the Brown Jug called No Hassle. We were grossing more than Redwood & Ross.”

Azoff Fogelberg

Irving Azoff, left, and Dan Fogelberg in the 1970s.


His first real client was a fellow Illini — the late, great Dan Fogelberg. Azoff left C-U for L.A. in 1970 to promote the future leader of the band.

“What I remember when I think of those (early) days is that we were just so damn cocky,” Fogelberg said in 1997. “Not arrogant but so full of ourselves that we never ever imagined it wouldn’t happen. Because Irving gave us that. He was just brash as all get-out, and he gave us that confidence.”


The man loves his Custard Cup — the Danville version, that is — ending an email to us just last week with: “Have a Custard Cup for me.”

“When I left home to attend the U of I, we were living on Ridgeview Road, about a quarter of a mile down the street from the Custard Cup,” he says. “I must have consumed thousands of fudge sundaes and lemon custard, washed down with chocolate ice cream sodas. On hot summer nights, we would have round one, then speed across Lake Vermilion in someone’s father’s convertible with the top down, then right back to the Custard Cup.”


He’s practically the eighth member of The Eagles. When the band was inducted into the Rock Hall 20 years ago, the first person Don Henley thanked at the ceremony was “Irving Azoff, without whom we wouldn’t be here today.”

At which point Glenn Frey chimed in: “Well, we might still be here; we wouldn't have made as much money.”

Azoff Bon Jovi

Jon Bon Jovi and Irving Azoff.


Among the other A-listers he’s represented over the years: Van Halen, Bon Jovi, Christina Aguilera, Fleetwood Mac, Journey, Steely Dan and, of course, Champaign-formed REO Speedwagon.


He’s one of several famous former Illini who hail from Danville, a club that also includes former NASA astronaut Joe Tanner, Oscar winner Gene Hackman and state Supreme Court Justice Rita Garman.


Just how big a player in the entertainment business is he? In 2012, when Billboard magazine created its Power 100, he occupied first place.

“Azoff’s placement at the top of the list is due to his command of the biggest concert-promotion company, the largest ticketing company and the largest artist-management firm in the world.”


Best advice Azoff has ever been given? “Return every phone call and letter — or, email now.” (We can attest that he does).


Long before he worked in the business, he caught the music bug. First concert as a kid? The Beach Boys at Indiana Beach.

Most memorable concert growing up?

“It was August 20, 1965,” Azoff says. “My dad and I drove to Chicago to Comiskey Park to see the Beatles.

“I remember the big Vox speaker cabinets up and down the first- and third-base lines. We sat on the third-base side and barely heard anything but screaming girls. But it was still amazing.”


Among the slew of awards he’s received over the years: 1980 Album of the Year, from the Academy of Country Music, for producing “Urban Cowboy.”


Azoff has his own IMDB page, having appeared in three movies as himself (two involving another famous act he managed, Neil Diamond) and produced 21 others (including 1999’s “The Hurricane,” 1998’s “Jack Frost” and 1982’s “Fast Times at Ridgemont High”).


Here’s Cameron Crowe, of “Jerry Maguire” and “Almost Famous” fame, writing about the 5-foot-3 Azoff for Rolling Stone in 1978: “They call him Big Shorty, the man who rules the careers of the Eagles, Dan Fogelberg, Steely Dan, Jimmy Buffett, JD Souther and Boz Scaggs. Just thirty, he is the enfant terrible of the music business. To get his clients top dollar, he’ll rip up a contract, yell, scream, terrorize, stomp, pound and destroy inanimate objects ... gleefully. Many of his clients will spend their off-hours watching him ‘kill’ on the phone.”


A short joke from his early Eagles days, as told in a 2009 Wall Street Journal story entitled: “Can He Save Rock ‘n’ Roll?”: “In the early ’70s, Mr. Azoff gave the famously mischief-prone guitarist Joe Walsh a chain saw, which became a regular part of the musician’s gear on the road.

“Later, during a tour supporting Mr. Walsh’s ‘The Smoker You Drink, the Player You Get’ album, one hotel couldn’t accommodate the two men’s request for connecting rooms. So Mr. Walsh used the chain saw to ‘cut a hole in the wall about as tall as the desk,’ says Mr. Azoff. ‘And he said: I made it just your size.’”


At the May 2 Rock Hall ceremony in Cleveland (to be televised live on HBO for the first time), Azoff will be the co-recipient of the Ahmet Ertegun Award, along with Jon Landau, best known for being Bruce Springsteen’s manager and producer.

The honor is bestowed upon “songwriters, producers, disc jockeys, record executives, journalists and other industry professionals who have had a major influence on the development of rock and roll,” the Hall says, with previous recipients including Quincy Jones, Berry Gordy and Dick Clark.


You may have heard a few of Azoff’s 2020 Rock Hall classmates, four of which have played the building formerly known as the Assembly Hall: The Doobie Brothers (multiple shows in the ’70s, then again in 2018), Whitney Houston (1987 and ’91), Nine Inch Nails (1994 and 2006) and Depeche Mode (1993).


The moment Azoff knew he could make it in the music business?

“Sold 900 tickets to a teen dance at the VFW hall in Danville!”


Upon receiving the Recording Academy President’s Merit Award during a “Salute to Industry Icons” on the eve of the 2016 Grammys, Azoff cracked to the crowd: “I like being a manager. ... Now more than ever, a shrewd manager is essential. Someone has to advise you on dry cleaners, restaurants, chartered jets and divorce attorneys.”


He believes the music world would be a better place without the invention co-created by two fellow former UI students — YouTube — “and all the others that use safe harbor to screw artists,” he told us last week.

As a counter-measure, Azoff in 2013 founded Global Music Rights Management, which manages licensing rights for artists. Its catalog includes the works of Prince (934 songs), John Lennon (204) and Bruno Mars (202).